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Often photographers find themselves physically limited by equipment and space constraints. A perfect example of this would be a recent shoot for Robert Nebolon Architects.
A photo of the exterior needed to complete the story was impossible to capture in one shot, due to a steep drop off on the other side of the street. Even with the widest lens available it was necessary to capture the image in multiple takes and composite them into a single image back in the studio.
This was an interesting retouching project for Brownstone Furniture. In order to reduce the cost of shooting on location for new product lines, we helped Brownstone build a studio in their local warehouse. With a little bit of paint and styling, along with a healthy dose of Photoshop work, we were able to create the illusion of a bedroom setting in the corner of an industrial warehouse.
We also found ourselves in a position of only having a single prototype of furniture that would normally be in pairs. Several shots were necessary, with close attention to continuity, to create the composited finals that you see below, paired with a before shot.
